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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
To Act Is to Do by RICHARD ALAN NICHOLS, who studied as a scholarship student for five years with Uta Hagen at the HB Studio in New York, is the ultimate guide for both actors and teachers.
In six informative and interactive class sessions, Nichols details twenty exercises designed to solve most acting problems that arise while working on plays. Also included are eighteen evaluations of work (scenes, monologues, and Hagen exercises) presented by Nichols’ students, with each evaluation serving as a model for teachers to follow in order to assist actors in learning how to assess their own work in an honest way.
This unique exploration–the personal journey of one actor’s lifelong quest to perfect his craft while in pursuit of becoming a player–will help all actors develop the discipline necessary to fine-tune their acting instruments and discover new behaviors in themselves.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
To Act Is to Do by RICHARD ALAN NICHOLS, who studied as a scholarship student for five years with Uta Hagen at the HB Studio in New York, is the ultimate guide for both actors and teachers.
In six informative and interactive class sessions, Nichols details twenty exercises designed to solve most acting problems that arise while working on plays. Also included are eighteen evaluations of work (scenes, monologues, and Hagen exercises) presented by Nichols’ students, with each evaluation serving as a model for teachers to follow in order to assist actors in learning how to assess their own work in an honest way.
This unique exploration–the personal journey of one actor’s lifelong quest to perfect his craft while in pursuit of becoming a player–will help all actors develop the discipline necessary to fine-tune their acting instruments and discover new behaviors in themselves.