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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Al Basile’s poems have style, joy, and - above all - verve. Sometimes they unfold with the lyric expansiveness of great jazz solos. Sometimes they shine as beautifully jeweled miniatures. What a pleasure to read a book of poems with such unabashed energy. Al Basile’s playful ease with the pentameter line bespeaks a sensibility trained in the subtleties of musical rhythm and voice. Turn almost anywhere in this rich collection from five decades and you’ll find an instinct for the game, and more. He produces poems that are almost holographic in their insistence on bringing their author into the reader’s space, where he - his tone of voice, body language and facial expressions - constitute an uncanny presence. The very title of the book identifies the author as a music-maker determined to be heard, and as a poet whose first concern is achieving the tone in which he wants to be heard by the reader.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Al Basile’s poems have style, joy, and - above all - verve. Sometimes they unfold with the lyric expansiveness of great jazz solos. Sometimes they shine as beautifully jeweled miniatures. What a pleasure to read a book of poems with such unabashed energy. Al Basile’s playful ease with the pentameter line bespeaks a sensibility trained in the subtleties of musical rhythm and voice. Turn almost anywhere in this rich collection from five decades and you’ll find an instinct for the game, and more. He produces poems that are almost holographic in their insistence on bringing their author into the reader’s space, where he - his tone of voice, body language and facial expressions - constitute an uncanny presence. The very title of the book identifies the author as a music-maker determined to be heard, and as a poet whose first concern is achieving the tone in which he wants to be heard by the reader.