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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Over the past two decades, Abbas Kiarostami - the Iranian film director of Where is the Friend’s House?, Life and Nothing More, Through the Olive Trees, Close Up, A Taste of Cherry, The Wind Will Carry Us, Ten, Shirin, Certified Copy and Like Someone in Love - has appeared regularly at festivals and on campuses, where he has worked closely for several days with young filmmakers, shepherding them and their projects, sending them out with cameras, then screening and discussing the results.
Pieced together from notes made over a period of nearly ten years at several of these workshops, Lessons with Kiarostami is a distillation of Kiarostami’s filmmaking techniques and working methods, and most importantly a series of practical guideposts for aspiring filmmakers.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Over the past two decades, Abbas Kiarostami - the Iranian film director of Where is the Friend’s House?, Life and Nothing More, Through the Olive Trees, Close Up, A Taste of Cherry, The Wind Will Carry Us, Ten, Shirin, Certified Copy and Like Someone in Love - has appeared regularly at festivals and on campuses, where he has worked closely for several days with young filmmakers, shepherding them and their projects, sending them out with cameras, then screening and discussing the results.
Pieced together from notes made over a period of nearly ten years at several of these workshops, Lessons with Kiarostami is a distillation of Kiarostami’s filmmaking techniques and working methods, and most importantly a series of practical guideposts for aspiring filmmakers.