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‘Fascinating…This extended lyric essay succeeds in delivering an intriguing look at a set of questions with wide relevance.’ - Publisher’s Weekly
‘Erudite…Olstein’s blending of the personal and the academic is compelling…A quality addition to the literature on pain.’ - Kirkus Reviews
In this extended lyric essay, a poet mines her lifelong experience with migraine to deliver a marvellously idiosyncratic cultural history of pain - how we experience, express, treat, and mistreat it. Her sources range from the trial of Joan of Arc to the essays of Virginia Woolf and Elaine Scarry to Hugh Laurie’s portrayal of Gregory House on House M.D. As she engages with science, philosophy, visual art, rock lyrics, and field notes from her own medical adventures (both mainstream and alternative), she finds a way to express the often-indescribable experience of living with pain. Eschewing simple epiphanies, Olstein instead gives us a new language to contemplate and empathise with a fundamental aspect of the human condition.
‘A fascinating, totally seductive read!’ - Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation
‘A book built of brain and nerve and blood and heart…Irreverent and astute…Pain Studies will change how you think about living with a body.’ - Elizabeth McCracken, author of Thunderstruck and Bowlawa
‘A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called 'the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.‘ - Leni Zumas, author of The Listeners and Red Clocks
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‘Fascinating…This extended lyric essay succeeds in delivering an intriguing look at a set of questions with wide relevance.’ - Publisher’s Weekly
‘Erudite…Olstein’s blending of the personal and the academic is compelling…A quality addition to the literature on pain.’ - Kirkus Reviews
In this extended lyric essay, a poet mines her lifelong experience with migraine to deliver a marvellously idiosyncratic cultural history of pain - how we experience, express, treat, and mistreat it. Her sources range from the trial of Joan of Arc to the essays of Virginia Woolf and Elaine Scarry to Hugh Laurie’s portrayal of Gregory House on House M.D. As she engages with science, philosophy, visual art, rock lyrics, and field notes from her own medical adventures (both mainstream and alternative), she finds a way to express the often-indescribable experience of living with pain. Eschewing simple epiphanies, Olstein instead gives us a new language to contemplate and empathise with a fundamental aspect of the human condition.
‘A fascinating, totally seductive read!’ - Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation
‘A book built of brain and nerve and blood and heart…Irreverent and astute…Pain Studies will change how you think about living with a body.’ - Elizabeth McCracken, author of Thunderstruck and Bowlawa
‘A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called 'the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.‘ - Leni Zumas, author of The Listeners and Red Clocks