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This portfolio-style monograph by New York-based painter Marina Adams draws from Bernini’s sculpture The Ecstasy of Saint Teresa and Picasso’s study of the Weeping Woman for Guernica. The juxtaposing of these images–one of ecstasy, the other of agony–inspired Adams’ diptych spreads of vibrating forms and vivid color.
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This portfolio-style monograph by New York-based painter Marina Adams draws from Bernini’s sculpture The Ecstasy of Saint Teresa and Picasso’s study of the Weeping Woman for Guernica. The juxtaposing of these images–one of ecstasy, the other of agony–inspired Adams’ diptych spreads of vibrating forms and vivid color.