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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
George Steiner's discussion of Jeffrey Mehlman's writing on Walter Benjamin gives the flavor of Mehlman's writing in Second Thoughts.
"The arch erudition and playful intelligence of Jeffrey Mehlman's concise jeu d'esprit, Walter Benjamin for Children, sparkle. Mehlman weaves a sequence of associative arabesques, 'intertextually imbricated, psychoanalytically informed, ' on the script for two radio programmes for children which Benjamin wrote during 1929-1930. Almost in the style of a magician, Professor Mehlman demonstrates the literally catastrophic substance of Benjamin's tales for children. With a scholastic acuity and wit resembling that of Benjamin himself, Mehlman teases out in the thematic rootedness of catastrophe and fraud the "phantom presence of the motif of a 'false messianism' which flowers, nearly subliminally, in these seemingly innocent broadcasts."
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
George Steiner's discussion of Jeffrey Mehlman's writing on Walter Benjamin gives the flavor of Mehlman's writing in Second Thoughts.
"The arch erudition and playful intelligence of Jeffrey Mehlman's concise jeu d'esprit, Walter Benjamin for Children, sparkle. Mehlman weaves a sequence of associative arabesques, 'intertextually imbricated, psychoanalytically informed, ' on the script for two radio programmes for children which Benjamin wrote during 1929-1930. Almost in the style of a magician, Professor Mehlman demonstrates the literally catastrophic substance of Benjamin's tales for children. With a scholastic acuity and wit resembling that of Benjamin himself, Mehlman teases out in the thematic rootedness of catastrophe and fraud the "phantom presence of the motif of a 'false messianism' which flowers, nearly subliminally, in these seemingly innocent broadcasts."