Volume 2 Lipstick and War Crimes Series: Ignoring the future and looking fabulous
Ray Songtree
Volume 2 Lipstick and War Crimes Series: Ignoring the future and looking fabulous
Ray Songtree
A startling, colorful and provocative expose of our undiscussed social engineering, from George Washington to the Grammy award Divas, fully illustrated with over 300 images. How does this intersect with foreign policy? Does social engineering weaken our moral judgement and our ability to assess our impact on world? Who profits? Who is shaping us?
From the international bankers to the Grammy Awards, there is a social engineering thread. What is this thread? What is it’s purpose? Has it effected us? Has it effected our children? Is the history we are told in school just part of the story? Is the person in the mirror independent?
He brings dry to wet and wet to dry … no genre works to describe it. - Sandra Bains
Finally spirit for environmentalists and down to Earth talk for New Age. - Jose Rodriguez
The narratives in our heads are not ours! - Debbie Lee
Cast of Characters: George Washington, Britain’s Got Talent, Lady Gaga,
Walt Disney, Whitney Houston, Martin Luther King, Jennifer Lopez, Henry Kissinger, X-Factor,
chemtrails, Queen Elizabeth, Adam Lambert, Native Americans, Michael Jackson, Simon Cowell,
Bush Sr., cell phone dangers, Britney Spears, Bill Gates, Jay Z, Sir Collin Powell, Edward
Snowden, The Madonna Operation, Christina Aguilera, Lord Rothschild, Rihanna, the Rockefellers,
Karl Marx, Will Smith, Cynthia McKinney, Beyonce, Sir Alan Greenspan, Elton John, the Ebola
Operation, Anderson Cooper, Sesame Street, Nicki Minaj, Nelson Mandela, Hollywood, Sir Tom
Jones, Will I Am, Obamacare, ISIS, and more.
Tricia Jenkins, author of The CIA In Hollywood, told DailyMail.com she
has recently acquired new evidence showing how the CIA worked off-the-books to influence
Hollywood scripts to an extent never previously known. She said: ‘In this documentation, concerning
one major Hollywood movie, it is clear that the CIA functioned as the principle partner
in shaping the original script and its influence exceeded that which would have been filled by an
aggressive producer or studio executive.’
Do you think you know the script?
All of it?
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