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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A trilogy of poetic voices, encapsulating rage, angst, fearlessness and insistence on being heard. Each poet is poised on the edge of prominence, and brings her own vision of the world: how their elders have handed it on, and how they wish to see it remade.
Becca shines light on the modern through a classical lens, focusing on ‘dark goddesses’ such as Inanna. She rages at senseless death-by-cop; but knows better than to shout . Laura lobs sestinas at weapons of destruction: the silencing of women, reforming them into one’s ideal, where controlling anything is better than controlling nothing. Izzy also writes about classical creatures: Anglo-Saxon monsters, Norse gods, or enraged statuary brought to life. She reminds us to be our true, unapologetic, murderous or sexy selves, in an earthy, steel-tipped set by a member of Generation Snowflake .
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A trilogy of poetic voices, encapsulating rage, angst, fearlessness and insistence on being heard. Each poet is poised on the edge of prominence, and brings her own vision of the world: how their elders have handed it on, and how they wish to see it remade.
Becca shines light on the modern through a classical lens, focusing on ‘dark goddesses’ such as Inanna. She rages at senseless death-by-cop; but knows better than to shout . Laura lobs sestinas at weapons of destruction: the silencing of women, reforming them into one’s ideal, where controlling anything is better than controlling nothing. Izzy also writes about classical creatures: Anglo-Saxon monsters, Norse gods, or enraged statuary brought to life. She reminds us to be our true, unapologetic, murderous or sexy selves, in an earthy, steel-tipped set by a member of Generation Snowflake .