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Here, Nathanael engages the catastrophal-photographic, translative, architectural-calling to the scene a discrepant combinatory of voices including Ingeborg Bachmann, Ludwig Wittgenstein, and Dmitri Shostakovich, to insist on the relational and seismic state of language and the image.
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Here, Nathanael engages the catastrophal-photographic, translative, architectural-calling to the scene a discrepant combinatory of voices including Ingeborg Bachmann, Ludwig Wittgenstein, and Dmitri Shostakovich, to insist on the relational and seismic state of language and the image.