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The debut collection of poetry by Anais Duplan. I have never before read a book like Anais Duplan’s Take This Stallion. Her major talent is recognizing the self in the other, making for poems that flow forward in a tone of oneness–is oneness a tone?–poems that make evident an ever-expanding world by opening themselves up into that world. This debut does what poets in their fifth or sixth collections are still trying to figure: it balances the intellect, image, music, and emotion in ways so unfamiliar that a blurb couldn’t possible characterize the work. -Jericho Brown
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The debut collection of poetry by Anais Duplan. I have never before read a book like Anais Duplan’s Take This Stallion. Her major talent is recognizing the self in the other, making for poems that flow forward in a tone of oneness–is oneness a tone?–poems that make evident an ever-expanding world by opening themselves up into that world. This debut does what poets in their fifth or sixth collections are still trying to figure: it balances the intellect, image, music, and emotion in ways so unfamiliar that a blurb couldn’t possible characterize the work. -Jericho Brown