Beginning in the dirty realism of a working-class neighborhood and the misery of addicts, the collection traces one man’s raw, funny and poignant evolution to maturity and acceptance. The poems range widely in style and use a broad diction that includes the slang of the streets and the tender language of love, as well as concepts of history, politics and science, to create a riff on what it is to be alive in a time which may very well be the end of civilization as we know it. Simms weaves highly personal stories about his sister’s suicide, his own struggle with addiction, and the joy of finding love and a spiritual path against a background of the desperate politics of our time: perpetual war, the decay of urban life, and the encroaching chaos caused by our violation of nature. Populated by addicts, alcoholics, policemen, soldiers, veterans, carpenters, Peace Corps volunteers, African villagers, children, orphans, scientists, dogs, teachers, leftist nuns, refugees, torturers and saints, the poems evoke the primal and the sublime, the everyday and the metaphysical. In the world revealed in this collection, Gracie Allen, Richard Feynman and Moondog show us the path to enlightenment. Being ordinary, the poet says, makes you a hero.

At times playful and other times dead serious, Simms pushes the limits of what a book of poetry can do. With linguistic dexterity, he captures the syncopated rhythms of American speech recording one man’s journey from childhood abuse and addiction to a spiritually enlightened vision of life in all its absurd complexity. With a compassionate eye for the troubled and the ridiculous, Simms speaks to the deepest longings and strangest predilections of the human experience. Intense yet forgiving, this is a tough, unrelenting voice touched by grace.