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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
When Serge Diaghilev decided to produce for his 1921
London season a revival of Petipa’s ‘Sleeping Beauty’, he
turned to the great Russian designer Leon Bakst to provide
the scenery and costumes. In the incredibly short time of
just six weeks Bakst produced several hundred costume
designs and scenery for all four acts. To avoid confusion
with English pantomimes, Diaghilev changed the name of
the ballet to ‘The Sleeping Princess’.
Although the production was a financial failure it was a
great artistic success, due in a large part to Bakst’s designs,
and this success led to the production of this book, first
published in 1923 in a limited edition of one thousand
copies, and never before reprinted with the illustrations
in full colour. The original editors chose to reproduce 54
of Bakst’s designs, mainly of costumes for the principal
characters but including five set designs, all of which are
included here.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
When Serge Diaghilev decided to produce for his 1921
London season a revival of Petipa’s ‘Sleeping Beauty’, he
turned to the great Russian designer Leon Bakst to provide
the scenery and costumes. In the incredibly short time of
just six weeks Bakst produced several hundred costume
designs and scenery for all four acts. To avoid confusion
with English pantomimes, Diaghilev changed the name of
the ballet to ‘The Sleeping Princess’.
Although the production was a financial failure it was a
great artistic success, due in a large part to Bakst’s designs,
and this success led to the production of this book, first
published in 1923 in a limited edition of one thousand
copies, and never before reprinted with the illustrations
in full colour. The original editors chose to reproduce 54
of Bakst’s designs, mainly of costumes for the principal
characters but including five set designs, all of which are
included here.