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RARELY HAS THE POWER OF CINEMA BEEN FELT BY SO MANY, IN SUCH OPPOSING WAYS…
Love Actually dulls the critical senses, making those susceptible to its hallucinogenic powers think they’ve seen a funny, warm-hearted, romantic film about the many complex manifestations of love. Colourful Narcotics. A perfect description of a bafflingly popular film.
By any reasonable measurement, Love Actually is a bad movie. There are plenty of bad movies out there, but what gets under Gary Raymond’s skin here is that it seems to have tricked so many people into thinking it’s a good movie.
In this hilarious, scene-by-scene analysis of the Christmas monolith that is Love Actually, Gary Raymond takes us through a suffocating quagmire of badly drawn characters, nonsensical plotlines, and open bigotry, to a climax of ill-conceived schmaltz. How Love Actually Ruined Christmas (or Colourful Narcotics) is the definitive case against a terrible movie.
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RARELY HAS THE POWER OF CINEMA BEEN FELT BY SO MANY, IN SUCH OPPOSING WAYS…
Love Actually dulls the critical senses, making those susceptible to its hallucinogenic powers think they’ve seen a funny, warm-hearted, romantic film about the many complex manifestations of love. Colourful Narcotics. A perfect description of a bafflingly popular film.
By any reasonable measurement, Love Actually is a bad movie. There are plenty of bad movies out there, but what gets under Gary Raymond’s skin here is that it seems to have tricked so many people into thinking it’s a good movie.
In this hilarious, scene-by-scene analysis of the Christmas monolith that is Love Actually, Gary Raymond takes us through a suffocating quagmire of badly drawn characters, nonsensical plotlines, and open bigotry, to a climax of ill-conceived schmaltz. How Love Actually Ruined Christmas (or Colourful Narcotics) is the definitive case against a terrible movie.