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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
When Martha Cooper returns from Australia she is forced to come to terms with her past, memories of which are dominated by the death of teenager Mike Boothman, drowned in the river at Arton.
It is at Arton that she meets his brother Paul again. They had loved each other but that love was killed by the tragedy and the bitterness which followed. Now, with Paul’s help and her Great Aunt’s guidance, Martie must unravel many secrets: secrets that could change her life, and bring hope to the community to which she has returned.
It weaves a captivating web, using characters who refuse to fit into moulds in which others want to see them cast.
Pauline’s economical style creates her peoples and settings not with lengthy descriptive prose but with pithy observations of or by her characters: succinct phrases are dropped in to outline a character with the casual ease of a charcoal artist.
The novel inter-relates the lives and loves of three women set against the most well-thought out backdrop I have ever read: Pauline Kirk gives the close-knit town a character which in turn shapes the characters in the story.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
When Martha Cooper returns from Australia she is forced to come to terms with her past, memories of which are dominated by the death of teenager Mike Boothman, drowned in the river at Arton.
It is at Arton that she meets his brother Paul again. They had loved each other but that love was killed by the tragedy and the bitterness which followed. Now, with Paul’s help and her Great Aunt’s guidance, Martie must unravel many secrets: secrets that could change her life, and bring hope to the community to which she has returned.
It weaves a captivating web, using characters who refuse to fit into moulds in which others want to see them cast.
Pauline’s economical style creates her peoples and settings not with lengthy descriptive prose but with pithy observations of or by her characters: succinct phrases are dropped in to outline a character with the casual ease of a charcoal artist.
The novel inter-relates the lives and loves of three women set against the most well-thought out backdrop I have ever read: Pauline Kirk gives the close-knit town a character which in turn shapes the characters in the story.