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Two cultures, one life, many masks; conflict and comedy in an actress/playwright’s Anglo-Jewish identity quest. Actress and playwright Vanessa Rosenthal has been searching for her identity her whole life. Is she Jewish or not? English or not? This character, or that, on and off stage? As she explores these conflicting positions, her frank and funny findings form the basis of this fascinating memoir, bringing her to no fixed conclusion.
Vanessa’s story covers her early life and family
and how her mother’s conversion to Judaism sowed the seed of being on the outside looking in. It takes the reader through her years of marriage and family, and the comic trials and successes of life as an actor, mother, wife and ‘establishment’ partner as well as her travels in Europe and Israel. Along the way she examines many taboos on Jewishness, including the deeply sensitive subject of how Judaism deals with conversion. The questions persist despite a happy and creative life, bursting at the seams but this multifaceted and moving memoir moves her closer to one answer: as an apparently insufficiently Jewish Jew, what or who should she be?
This memoir will appeal to readers who enjoyed Lynn Barber’s An Education and Laura Cumming’s On Chapel Sands. AUTHOR: Vanessa Rosenthal, from a Reform Jewish background in Manchester, trained at London’s Central School of Speech and Drama. Her long acting career in English theatre has also included festival appearances from Wales to Italy. Her work ranges from early and modern classics and her own plays, to Ayckbourn in Scarborough and Bennett in Leeds, her adopted city, where her husband of 41 years was University Registrar. A long-time playwright for BBC Radio 4, originator of the Writing The Century series, she has also been Writer in Residence at Kings College and taken her plays to London, the Edinburgh Festival Fringe and Jerusalem. Through Yellow Leaf Theatre, she has encouraged new writing and extended theatre to new venues from art galleries to smaller communities. With her historian partner, her life is spread between her home in Leeds, the Scottish Borders and Le Marche. She has two daughters and five grandsons.
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Two cultures, one life, many masks; conflict and comedy in an actress/playwright’s Anglo-Jewish identity quest. Actress and playwright Vanessa Rosenthal has been searching for her identity her whole life. Is she Jewish or not? English or not? This character, or that, on and off stage? As she explores these conflicting positions, her frank and funny findings form the basis of this fascinating memoir, bringing her to no fixed conclusion.
Vanessa’s story covers her early life and family
and how her mother’s conversion to Judaism sowed the seed of being on the outside looking in. It takes the reader through her years of marriage and family, and the comic trials and successes of life as an actor, mother, wife and ‘establishment’ partner as well as her travels in Europe and Israel. Along the way she examines many taboos on Jewishness, including the deeply sensitive subject of how Judaism deals with conversion. The questions persist despite a happy and creative life, bursting at the seams but this multifaceted and moving memoir moves her closer to one answer: as an apparently insufficiently Jewish Jew, what or who should she be?
This memoir will appeal to readers who enjoyed Lynn Barber’s An Education and Laura Cumming’s On Chapel Sands. AUTHOR: Vanessa Rosenthal, from a Reform Jewish background in Manchester, trained at London’s Central School of Speech and Drama. Her long acting career in English theatre has also included festival appearances from Wales to Italy. Her work ranges from early and modern classics and her own plays, to Ayckbourn in Scarborough and Bennett in Leeds, her adopted city, where her husband of 41 years was University Registrar. A long-time playwright for BBC Radio 4, originator of the Writing The Century series, she has also been Writer in Residence at Kings College and taken her plays to London, the Edinburgh Festival Fringe and Jerusalem. Through Yellow Leaf Theatre, she has encouraged new writing and extended theatre to new venues from art galleries to smaller communities. With her historian partner, her life is spread between her home in Leeds, the Scottish Borders and Le Marche. She has two daughters and five grandsons.