Huysmans’ dark masterpiece, published in the same year as The Picture of Dorian Gray, is a serious, uncompromisingly learned depiction of the Hell through which the search for spiritual meaning must lead. The protagonist, Durtal, is investigating the life of Gilles de Rais, mass-murderer and unlikely - or not so unlikely - companion-in-arms of Joan of Arc. Long meditations on the nature of art, guilt, the satanic and the divine take him to a black mass. This superb new translation by Brendan King vividly recalls the allusive, proto-expressionist vigour of the original; images snarl and spring at the reader. A fine introduction shows where Huysmans’ mystical quest ended, and the notes prove vital. AUTHOR: J.-K. Huysmans (1847-1907) changed from being an obscure author and art critic to one of the most famous authors of his day with the publication of A Rebours (Against Nature) in 1884. A Rebours is a ground-breaking novel which captures the decadent spirit of the day and marks his final break with Zola and naturalism. Dedalus have published 11 books by J.-K. Huysmans, 9 in new translations by Brendan King: Marthe, Parisian Sketches, The Vatard Sisters, Stranded (En Rade), Drifting, Against Nature, Las Bas, Modern Art and The Cathedral. In addition to En Route and The Oblate of St Benedict. Robert Baldick’s brilliant book The Life of J.-K. Huysmans was published by Dedalus in the autumn of 2005, updated and edited by Brendan King. In 2021 Dedalus will publish Brendan King’s translation of his book of art criticism, Certain Artists