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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Dare to write, dare to win. A study of working-class poetry and poetics.
‘Do you love poetry? But like many people do you think only people like William Wordsworth, Elizabeth Barrett-Browning, Lord Tennyson and those from similar social backgrounds were writing verse in the 19th century, the birth of capitalism?
This study seeks to illustrate that working-class poets and their supporters also wrote poetry in the same epoch, a 'hidden history.’ Yet this study goes beyond merely illuminating a tradition of working-class poets. It argues for a ‘proletarian poetic’ and that the future of aesthetics resides within this working-class poetic.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Dare to write, dare to win. A study of working-class poetry and poetics.
‘Do you love poetry? But like many people do you think only people like William Wordsworth, Elizabeth Barrett-Browning, Lord Tennyson and those from similar social backgrounds were writing verse in the 19th century, the birth of capitalism?
This study seeks to illustrate that working-class poets and their supporters also wrote poetry in the same epoch, a 'hidden history.’ Yet this study goes beyond merely illuminating a tradition of working-class poets. It argues for a ‘proletarian poetic’ and that the future of aesthetics resides within this working-class poetic.