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Charles Wilkinson’s The Glazier’s Choice is the first substantial gathering of work by a writer who has published two previous short collections of poetry. Many of these pieces, written over a ten-year period, are characterised by a powerful sense of place, a consistently lyrical voice and a preoccupation with the liminal, numinous and half hidden. Wilkinson’s often oblique narratives eschew the first person in favour of a verse that is open and various in its technical procedures, neither mainstream nor egregiously avant-garde. A melancholic strain is sometimes leavened by humour and playful use of form.
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Charles Wilkinson’s The Glazier’s Choice is the first substantial gathering of work by a writer who has published two previous short collections of poetry. Many of these pieces, written over a ten-year period, are characterised by a powerful sense of place, a consistently lyrical voice and a preoccupation with the liminal, numinous and half hidden. Wilkinson’s often oblique narratives eschew the first person in favour of a verse that is open and various in its technical procedures, neither mainstream nor egregiously avant-garde. A melancholic strain is sometimes leavened by humour and playful use of form.