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Martin Hayes has managed with Ox to create a new allegory that says a lot about our work lives that stays true to the tradition of poets and writers who under totalitarian regimes have had to create allegories to escape detection by control-freak authorities. It requires real ingenuity and perseverance to create a new vehicle for your voice and still be able to stay incisive and funny.
1984 for 2021: the fabulous Ox’s allegorical self-song sings to us of our own diminution; our sad expediency; our compromise and cowardice; of how we’ve allowed ourselves to become bystanders to our own enslavement. Martin Hayes gives us back the truest measure of England’s new identity. We should take note and be grateful.
‘We need poets like Hayes now more than ever … Important reading.’
‘Hayes is unique among British poets … thoroughly subversive … funny, shocking, fascinating, humanising.’
‘This is poetry like virtually no-one else in Britain is writing. It is funny, wise, sad, tragic and thoroughly memorable.’
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Martin Hayes has managed with Ox to create a new allegory that says a lot about our work lives that stays true to the tradition of poets and writers who under totalitarian regimes have had to create allegories to escape detection by control-freak authorities. It requires real ingenuity and perseverance to create a new vehicle for your voice and still be able to stay incisive and funny.
1984 for 2021: the fabulous Ox’s allegorical self-song sings to us of our own diminution; our sad expediency; our compromise and cowardice; of how we’ve allowed ourselves to become bystanders to our own enslavement. Martin Hayes gives us back the truest measure of England’s new identity. We should take note and be grateful.
‘We need poets like Hayes now more than ever … Important reading.’
‘Hayes is unique among British poets … thoroughly subversive … funny, shocking, fascinating, humanising.’
‘This is poetry like virtually no-one else in Britain is writing. It is funny, wise, sad, tragic and thoroughly memorable.’