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HFT The Gardener presents the culmination of a project comprising multiple bodies of work by the fictional character Hillel Fischer Traumberg. Traumberg is an algorithmic high-frequency trader (HFT), who experiments with psychoactive drugs, and explores the ethno-pharmacology of over a hundred psychoactive plants. He uses gematria (Hebrew numerology) to discover the numerological equivalents of the plants botanical names with companies in the Financial Times Global 500 Financial Index. He communes with the traditional shamanic users of these plants whose practices include healing, divining the future, entering the spirit world, and exploring the hallucinatory nature of reality. Traumberg develops a fantasy of himself as a techno-shaman, transmuting the spiritual dimensions of the universe and the hallucinogenic nature of capital into new art forms. He becomes an outsider artist whose work is collected by oligarchs and bankers, the world of global capital in which he began. As with Treister’s previous works, parallels are drawn between the microcosm and macrocosm, and their interrelationships. These include the global financial ratings of pharmaceutical companies and the traditional uses of the herbs from which they benefit; the patterns of high frequency trading algorithms and the pulsing mandalas of the psychotropic divine experience; and the hallucinatory nature of reality, the capital markets and the exchange values with which we judge its shifting worth.
AUTHOR: Suzanne Treister (b.1958 London UK) studied at St Martin’s School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982) based in London having lived in Australia, New York and Berlin. Initially recognised in the 1980s as a painter, she became a pioneer in the digital/new media/web based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister has evolved a large body of work which engages with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastic reinterpretations of given taxonomies and histories that examine the existence of covert, unseen forces at work in the world, whether corporate, military or paranormal. 160 illustrations
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HFT The Gardener presents the culmination of a project comprising multiple bodies of work by the fictional character Hillel Fischer Traumberg. Traumberg is an algorithmic high-frequency trader (HFT), who experiments with psychoactive drugs, and explores the ethno-pharmacology of over a hundred psychoactive plants. He uses gematria (Hebrew numerology) to discover the numerological equivalents of the plants botanical names with companies in the Financial Times Global 500 Financial Index. He communes with the traditional shamanic users of these plants whose practices include healing, divining the future, entering the spirit world, and exploring the hallucinatory nature of reality. Traumberg develops a fantasy of himself as a techno-shaman, transmuting the spiritual dimensions of the universe and the hallucinogenic nature of capital into new art forms. He becomes an outsider artist whose work is collected by oligarchs and bankers, the world of global capital in which he began. As with Treister’s previous works, parallels are drawn between the microcosm and macrocosm, and their interrelationships. These include the global financial ratings of pharmaceutical companies and the traditional uses of the herbs from which they benefit; the patterns of high frequency trading algorithms and the pulsing mandalas of the psychotropic divine experience; and the hallucinatory nature of reality, the capital markets and the exchange values with which we judge its shifting worth.
AUTHOR: Suzanne Treister (b.1958 London UK) studied at St Martin’s School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982) based in London having lived in Australia, New York and Berlin. Initially recognised in the 1980s as a painter, she became a pioneer in the digital/new media/web based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister has evolved a large body of work which engages with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastic reinterpretations of given taxonomies and histories that examine the existence of covert, unseen forces at work in the world, whether corporate, military or paranormal. 160 illustrations