As one of the key figures in the first generation of British conceptual artists and a crucial force behind many of the Young British Artists, Michael Craig-Martin has dedicated a career to complicating the practice and reception of drawing. Often considered the ‘high priest of the everyday’, he is engaged with the methodical exploration of those objects and design classics that are so often taken for granted: the tap, the clothes hanger, the petrol pump, the Anglepoise lamp. For Craig-Martin, those objects that we value least, simply for their ubiquity, are often the most extraordinary. His is a world of revelation.