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ART Philip F. Esler, Pacino di Bonaguida’s Tree of Life: Interpreting the Bible in Paint in Early Fourteenth-Century Italy Catherine C. Taylor, The Pignatta Sarcophagus: Late Antique Iconography and the Memorial Culture of Salvation Yaffa Englard, The Sixth Day of Creation: Literal Problems, Visual Expressions, and Theological Interpretations John Byron, Who Killed Cain? Interpretive Solutions to a Theological Problem Dan Rickett, The Art of Separation: Visual and Textual Exegesis of the Separation of Abram and Lot Kalle Lundahl, The Bible in Paintings by Mario Schifano and Vincent van Gogh David Tollerton, Divine Violence Caught on Camera: Negotiating Text and Photography in Broomberg and Chanarin’s Holy Bible Christopher Meredith, Civic Bible as Civil Breach: Reading Doris Salcedo’s Shibboleth LITERATURE Mikael Larsson, Model of Modesty? Sexual Politics and/in/after the Book of Ruth MUSIC Valerie Nicolet-Anderson, Leonard Cohen’s Use of the Bible: Transformations of the Sacred RECEPTION Holly Morse, What’s in a Name? Analysing the Appellation ‘Reception History’ in Biblical Studies Elisabeth Birnbaum and Susanne Gillmayr-Bucher, The Wise King’s Vanity: The
Motif in the Reception of King Solomon Agnethe Siquans, Origen’s Fifth Homily on Exodus: A Narratological Approach to Ancient Biblical Interpretation Arie Versluis, The Early Reception History of the Command to Exterminate the Canaanites
