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These are the stories of one boy’s adolescence in the USSR. Sovetica grew from Caroline Clark’s fascination with a handful of stereo slides made by her Russian husband in the 1980s. Her unforced retelling of his memories - recorded, translated and transformed - together with the colour and black-and-white photographs bring to the page a way of life that is both humdrum and the stuff of legend.
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These are the stories of one boy’s adolescence in the USSR. Sovetica grew from Caroline Clark’s fascination with a handful of stereo slides made by her Russian husband in the 1980s. Her unforced retelling of his memories - recorded, translated and transformed - together with the colour and black-and-white photographs bring to the page a way of life that is both humdrum and the stuff of legend.