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‘One Another’ features images mainly taken at night in St Petersburg and Berlin. Leaden-coloured scenes, greasy spoon cafes, empty halls and old hotel rooms that seem to echo with traces of the past. And people’s faces - - hurried glances, small awkward gestures, hands searching for support, the signs of grief or desparation in the corner of an eye - people breaking through the glass of loneliness. For Resnik, photography is the way to stop a moment and look deeper into reality, to step past the often painful dichotomy between subject and the object: You roam the world looking for the moments you can stop and turn into an act of perception, looking for a revelation, looking for a mirror.
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‘One Another’ features images mainly taken at night in St Petersburg and Berlin. Leaden-coloured scenes, greasy spoon cafes, empty halls and old hotel rooms that seem to echo with traces of the past. And people’s faces - - hurried glances, small awkward gestures, hands searching for support, the signs of grief or desparation in the corner of an eye - people breaking through the glass of loneliness. For Resnik, photography is the way to stop a moment and look deeper into reality, to step past the often painful dichotomy between subject and the object: You roam the world looking for the moments you can stop and turn into an act of perception, looking for a revelation, looking for a mirror.