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Lasting Impressions presents one of Canada’s most extensive art collections, with works from William Blair Bruce’s Phantom of the Snow (1888) to Alex Colville’s Horse and Train (1954). Three major essays examine the issues of collection building, Canadian modernism and the concept of the icon in Canadian art; a fourth essay outlines the recent conservation of Colville’s Horse and Train.
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Lasting Impressions presents one of Canada’s most extensive art collections, with works from William Blair Bruce’s Phantom of the Snow (1888) to Alex Colville’s Horse and Train (1954). Three major essays examine the issues of collection building, Canadian modernism and the concept of the icon in Canadian art; a fourth essay outlines the recent conservation of Colville’s Horse and Train.