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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the blink of an eye, around the corner, The Weird is everywhere. It’s in the bird that turns out to be a fluttering newspaper, that white shoe left in a ploughed field, or the curdling smoke on the windscreen of a car, caused by the fast-moving reflection of clouds overhead. Normal is often weird and vice-versa. We’re used to weird dreams but what about the wide-awake weird? This collection celebrates evocative tales of oddness that span the genres of magic realism, the supernatural, the fantastical and the speculative.
Weirdness lurks beyond the margins of the mundane, emerging to dismantle our assumptions of reality. When we encounter strange intervals, our perception of the natural order is challenged and changed. It is perhaps in those moments, that we glimpse the hidden truth of all things.
Dark in the Day is an anthology of weird fiction, penned by established writers and also those new to the genre - the latter being authors who are, or were, students of Creative Writing at Staffordshire University, where editor Storm Constantine occasionally delivers guest lectures. Her co-editor, Paul Houghton, is the senior lecturer in Creative Writing at the university.
Contributors include: Martina Bellovicova, J. E. Bryant, Glynis Charlton, Danielle Collard, Storm Constantine, Louise Coquio, Elizabeth Counihan, Krishan Coupland, Elizabeth Davidson, Sian Davies, Jack Fabian, Paul Finch, Rosie Garland, Rhys Hughes, Kerry Fender, Andrew Hook, Paul Houghton, Tanith Lee, Lisa Mansell, Kate Moore, Tim Pratt, Nicholas Royle, Michael Marshall Smith, Paula Wakefield, Ian Whates and Liz Williams.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the blink of an eye, around the corner, The Weird is everywhere. It’s in the bird that turns out to be a fluttering newspaper, that white shoe left in a ploughed field, or the curdling smoke on the windscreen of a car, caused by the fast-moving reflection of clouds overhead. Normal is often weird and vice-versa. We’re used to weird dreams but what about the wide-awake weird? This collection celebrates evocative tales of oddness that span the genres of magic realism, the supernatural, the fantastical and the speculative.
Weirdness lurks beyond the margins of the mundane, emerging to dismantle our assumptions of reality. When we encounter strange intervals, our perception of the natural order is challenged and changed. It is perhaps in those moments, that we glimpse the hidden truth of all things.
Dark in the Day is an anthology of weird fiction, penned by established writers and also those new to the genre - the latter being authors who are, or were, students of Creative Writing at Staffordshire University, where editor Storm Constantine occasionally delivers guest lectures. Her co-editor, Paul Houghton, is the senior lecturer in Creative Writing at the university.
Contributors include: Martina Bellovicova, J. E. Bryant, Glynis Charlton, Danielle Collard, Storm Constantine, Louise Coquio, Elizabeth Counihan, Krishan Coupland, Elizabeth Davidson, Sian Davies, Jack Fabian, Paul Finch, Rosie Garland, Rhys Hughes, Kerry Fender, Andrew Hook, Paul Houghton, Tanith Lee, Lisa Mansell, Kate Moore, Tim Pratt, Nicholas Royle, Michael Marshall Smith, Paula Wakefield, Ian Whates and Liz Williams.