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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Loss and memory. The poems of the first section of Irish poet Leeanne Quinn’s debut collection explore the intimacies of a sibling relationship, and revisit it from a distance travelled since, where new experience is the earth’s irreproachable / response to your absence . Other poems intersperse this main narrative, inspired by a variety of subjects, from Gertrude Stein to the Drogheda-born artist Nano Reid, natural disasters to the complex territory of broken relationships. Pain is evoked, sensed never far from the surface, but the telling remains oblique, the particulars refusing a simple summary or conclusion. Life goes on, in what one of the poems in the second section calls this awful business of living , a variant on a phrase by Elizabeth Bishop whose letters, in counterpoint to the book’s first section, prompt and provide an external departure point and reference.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Loss and memory. The poems of the first section of Irish poet Leeanne Quinn’s debut collection explore the intimacies of a sibling relationship, and revisit it from a distance travelled since, where new experience is the earth’s irreproachable / response to your absence . Other poems intersperse this main narrative, inspired by a variety of subjects, from Gertrude Stein to the Drogheda-born artist Nano Reid, natural disasters to the complex territory of broken relationships. Pain is evoked, sensed never far from the surface, but the telling remains oblique, the particulars refusing a simple summary or conclusion. Life goes on, in what one of the poems in the second section calls this awful business of living , a variant on a phrase by Elizabeth Bishop whose letters, in counterpoint to the book’s first section, prompt and provide an external departure point and reference.