The World of South African Music: A Reader

The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music. Included are: Ocarina Music of the Venda, by John Blacking; Highbreaks: A Taste of Marabi in the 20s and 30s, by David Coplan; Music and Emancipation, by Christopher Ballantine; Cape Malay Music, by Desmond Desai; Tiger Dance, Terukuttu, Tango, and Tchaikovsky: A Politico-Cultural View of Indian South African Music before 1948, by Melveen Jackson; Reuben T. Caluza and Early Popular Music, by Veit Erlmann; The Globalisation of South African Music, by Martin Scherzinger Parts of the Book: 1. Imperialism to Modernism; 2. Apartheid and Musicology; 3. Music and Social Transformation; 4. A New South Africa.