After the Satanic debaucheries of La-bas (1891) and the sensual battles of En Route (1895), comes the cloistered calm of The Cathedral (1898). In this long, reflective novel, Huysmans’ alter-ego, Durtal, sets out to explore the mystic symbolism embodied in one of the greatest gothic edifices in France, Chartres cathedral. Written at the time of the Dreyfus Affair, a political scandal that threatened to tear France apart, Chartres cathedral became for Huysmans a potent symbol of the harmonious diversity of the Middle Ages, one that had the porential to unify the divisions in contemporary French society. This complex, multi-layered vision of Chartres cathedral as a structure in which art, science and religion could exist in harmony rather than discord, captured the public imagination on its first publication, and The Cathedral became a runaway bestseller. AUTHOR: J.K.Huysmans (1847-1907) began writing as a naturalist in the style of Zola. His first novel Marthe(1876) was published by Dedalus in 2006 in a new translation by Brendan King.His early works excel in their descriptive ability and he is one of the greatest authors in describing the life of Paris and its surroundings as witnessed by his Parisian Sketches (Dedalus translation by Brendan King in 2004).He changed from being an obscure author and art critic to one of the most famous authors of his day with the publication of A Rebours in 1884. A Rebours is a ground breaking novel which captures the decadent spirit of the day and marks his final break with Zola and naturalism. Dedalus’s translation by Brendan King was published in May 2008. His novel about Satanism, La-Bas (1891)is surely the cult novel of the nineteenth century.(Brendan King’s translation was selected by Beryl Bainbridge as one of the best books published in 2001 in The Independent).La-Bas is the first of four novels about Huysmans alter ego Durtal.