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There can be few examples of intensive fashioning and self-fashioning by a Renaissance figure more remarkable than Prince Henry (1594-1612). Two decades after the appearance of Roy Strong’s revelatory Henry Prince of Wales and England’s Lost Renaissance this collection of essays reexamines the extraordinary artistic and cultural response to Prince Henry and presents many new findings in the context of recent scholarship.
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There can be few examples of intensive fashioning and self-fashioning by a Renaissance figure more remarkable than Prince Henry (1594-1612). Two decades after the appearance of Roy Strong’s revelatory Henry Prince of Wales and England’s Lost Renaissance this collection of essays reexamines the extraordinary artistic and cultural response to Prince Henry and presents many new findings in the context of recent scholarship.