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A split between modern and historical realities - whether real, imagined, projected or fantasised - has long configured modern architectural culture. The very construction of this division has proved a durable, near structural, means by which to assert the idea of a properly ‘modern’ architecture defined in opposition to the past. The writings of Bernard Cache confound exactly this attempt to divide and then distance the contemporary world from its history.
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A split between modern and historical realities - whether real, imagined, projected or fantasised - has long configured modern architectural culture. The very construction of this division has proved a durable, near structural, means by which to assert the idea of a properly ‘modern’ architecture defined in opposition to the past. The writings of Bernard Cache confound exactly this attempt to divide and then distance the contemporary world from its history.