Carscadden Thrift is structured in the spirit of the translation from drawing (speculation) to material (actual). Photographs document the messy realities of construction and are referenced to select drawings. The analogy to a set of contract documents is obvious but not superficial. It requires readers to examine both in order to understand the nature of a project, projects that taken collectively describe the culture of the studio and the firm’s attempts to understand questions posited by the constraints of scale, site and schedule.