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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Federico F. is a semi-fictional novel that chronicles the last nine months of Italian film director Federico Fellini’s life, from January to October 1993. Angelucci reveals how creatively Fellini treated personal events, as if they were screenplay ideas to be developed. Fellini recreated reality according to his cinematic vision, of translating events into personalized memories, and memories into films. Angelucci features several reflections by Fellini on his work, all of them proving that the director considered his films as personal creations, coalitions of external facts and private memories harmonized through his imagination. In Federico F., Angelucci employs these same techniques as he tells the story of Fellini’s final months.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Federico F. is a semi-fictional novel that chronicles the last nine months of Italian film director Federico Fellini’s life, from January to October 1993. Angelucci reveals how creatively Fellini treated personal events, as if they were screenplay ideas to be developed. Fellini recreated reality according to his cinematic vision, of translating events into personalized memories, and memories into films. Angelucci features several reflections by Fellini on his work, all of them proving that the director considered his films as personal creations, coalitions of external facts and private memories harmonized through his imagination. In Federico F., Angelucci employs these same techniques as he tells the story of Fellini’s final months.