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Based on entirely fresh primary research. Leonardo presents important new information and perspectives on one of the most interesting men and greatest geniuses of all time. The following are only a few of the new and controversial findings offered by Payne in this highly readable book. The portrait of a bearded man universally accepted as a self-portrait is actually a drawing of Leonardo’s father. The subject of the Mona Lisa was not the wife of a merchant but the Duchess of Milan – among the illustrations in the book are two earlier, seldom-seen Mona Lisas. Leonardo was not the son of a peasant woman, as it is generally thought he was, but of a high-born woman. Payne paints an extraordinarily convincing picture of Leonardo not only as a giant of his age, but also as a man, human, real, simple and natural. Besides dispelling many myths about him, the author places his subject realistically in his own time – the summit of the Italian Renaissance with its wars and sudden upheavals, its unsurpassed artists and architects, its ambitious and often warring princes. This is a meticulously accurate book which reads like a swiftly paced novel. Robert Payne, author of some of the most widely read biographies of our day, now brings us a new and fascinating portrayal of Leonardo da Vinci. This is the third volume of our recently released Robert Payne Library series.
