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This book offers a stylistic analysis of an early-twentieth-century Venezuelan writer known for his travel accounts, stories, novels, and essays. It concentrates on three novels: Idolos rotos, Sangre patricidia, and Peregrina. It discusses contexts (criollismo and modernismo), summarizes plots, and examines sense impressions, imagery, and syntactic devices.
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This book offers a stylistic analysis of an early-twentieth-century Venezuelan writer known for his travel accounts, stories, novels, and essays. It concentrates on three novels: Idolos rotos, Sangre patricidia, and Peregrina. It discusses contexts (criollismo and modernismo), summarizes plots, and examines sense impressions, imagery, and syntactic devices.