Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Austrian writer Robert Musil (1880-1942) ranks with Proust, Joyce, Kafka and Thomas Mann as a master of the modern prose narrative; his works encompass a wide range of theoretical and aesthetic impulses, ranging from Nietzsche toMach, from Gestalt theory to Freudian psychoanalysis. This volume traces the scholarly reception of Musil’s works, marked by discontinuities and abrupt shifts of perception. At the beginning of his career, Musil was stereotyped asan author primarily interested in morally questionable ‘psychological’ issues, before being plunged into near oblivion by his exile, forced by National Socialism. After the Second World War he was ‘rediscovered’, but the development of Musil studies was severely hampered by the inability to determine an authoritative edition of his unfinished masterpiece, Der Mann ohne Eigenschaften (The Man without Qualities), 1930-43. Professor Rogowski shows howsuccessive generations of scholars have appropriated Musil for their own ends, constructing a bewildering and often contradictory array of images of the author according to their own ideological and methodological biases, and howthis multitude of different perspectives corresponds with changes in German studies and historical developments over the past four decades. In so doing, he sheds new light on Musil’s paradoxical status as, in the words of Frank Kermode, ‘the least read of the great twentieth-century novelists’. CHRISTIAN ROGOWSKI is assistant professor of German at Amherst College.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Austrian writer Robert Musil (1880-1942) ranks with Proust, Joyce, Kafka and Thomas Mann as a master of the modern prose narrative; his works encompass a wide range of theoretical and aesthetic impulses, ranging from Nietzsche toMach, from Gestalt theory to Freudian psychoanalysis. This volume traces the scholarly reception of Musil’s works, marked by discontinuities and abrupt shifts of perception. At the beginning of his career, Musil was stereotyped asan author primarily interested in morally questionable ‘psychological’ issues, before being plunged into near oblivion by his exile, forced by National Socialism. After the Second World War he was ‘rediscovered’, but the development of Musil studies was severely hampered by the inability to determine an authoritative edition of his unfinished masterpiece, Der Mann ohne Eigenschaften (The Man without Qualities), 1930-43. Professor Rogowski shows howsuccessive generations of scholars have appropriated Musil for their own ends, constructing a bewildering and often contradictory array of images of the author according to their own ideological and methodological biases, and howthis multitude of different perspectives corresponds with changes in German studies and historical developments over the past four decades. In so doing, he sheds new light on Musil’s paradoxical status as, in the words of Frank Kermode, ‘the least read of the great twentieth-century novelists’. CHRISTIAN ROGOWSKI is assistant professor of German at Amherst College.