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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the autumn of 1888 London women lived under the shadow of the Ripper murders – killings perhaps unmatched in their sadistic brutality. Florence Pash, friend and colleague of the painter Walter Sickert and herself an artist, confided to the author’s mother when in her late eighties, a terrible story that she had kept even from those closest to her. Jean Overton Fuller draws on the new evidence of Florence Pash, and with her own artist’s eye discovers clues in Sickert’s pictures, pointing conclusively to the true identity of the Ripper…
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the autumn of 1888 London women lived under the shadow of the Ripper murders – killings perhaps unmatched in their sadistic brutality. Florence Pash, friend and colleague of the painter Walter Sickert and herself an artist, confided to the author’s mother when in her late eighties, a terrible story that she had kept even from those closest to her. Jean Overton Fuller draws on the new evidence of Florence Pash, and with her own artist’s eye discovers clues in Sickert’s pictures, pointing conclusively to the true identity of the Ripper…