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The controversial artist Malcolm Morley is the subject of this illustrated text, the first title in Itineraries , a series featuring contemporary artists, and edited by Lynne Cooke and Michael Newman. Born and trained in Britain but resident in America since 1958, Morley is best known as an exponent of Superrealism, a heightened, photorealistic style. This represents only one aspect of Morley’s career, however; as his technique became increasingly free in the 1970s, he began to introduce found objects into his work. In the 1980s, he increasingly used watercolours made while travelling as the basis for oil paintings. Basides travel, many of Morley’s pictures derive from childhood memories or depict imagined disaster scenarios. His work is represented in collections throughout the US including the Metropolitan Museum of Art and the Museum of Modern Art, New York, and the National Gallery of Art, Washington DC, and is known in the UK as the first winner of the Turner prize.
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The controversial artist Malcolm Morley is the subject of this illustrated text, the first title in Itineraries , a series featuring contemporary artists, and edited by Lynne Cooke and Michael Newman. Born and trained in Britain but resident in America since 1958, Morley is best known as an exponent of Superrealism, a heightened, photorealistic style. This represents only one aspect of Morley’s career, however; as his technique became increasingly free in the 1970s, he began to introduce found objects into his work. In the 1980s, he increasingly used watercolours made while travelling as the basis for oil paintings. Basides travel, many of Morley’s pictures derive from childhood memories or depict imagined disaster scenarios. His work is represented in collections throughout the US including the Metropolitan Museum of Art and the Museum of Modern Art, New York, and the National Gallery of Art, Washington DC, and is known in the UK as the first winner of the Turner prize.