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An impressive survey of more than 100 pieces of historic Pueblo pottery.
No art form is more associated with the Native Americans of the Southwest than pottery. For centuries, Pueblo people have made beautiful pottery, often painted with intricate designs, for everyday activities such as cooking, food storage and gathering water, and for ceremonial use. Vessels of these types have been found at ancient sites including Chaco Canyon and Mesa Verde. The tradition of pottery-making continues to thrive among Pueblo communities in the Southwest, and while pottery is still made for practical purposes, it is also commonly produced for the art market. Since the time of the Ancestral Puebloans, pottery has been made predominantly by women. The pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but many symbols and motifs are shared by the Pueblos. Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest
among them potters and other artists, as well as writers, curators and community leaders
chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts. AUTHOR: Pueblo Pottery Collective is a collective of more than 60 Native American community members from 21 Pueblo communities in the Southwest. The collective includes potters, designers and other artists, as well as writers, poets, community leaders and museum professionals. A small number of non-Pueblo museum professionals were facilitators and writers for this project, and are also part of the collective. Elysia Poon is Director of the Indian Arts Research Center at the School for Advanced Research, Santa Fe, New Mexico. Rick Kinsel is Director of the Vilcek Foundation, New York.
175 illustrations, 1 map
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An impressive survey of more than 100 pieces of historic Pueblo pottery.
No art form is more associated with the Native Americans of the Southwest than pottery. For centuries, Pueblo people have made beautiful pottery, often painted with intricate designs, for everyday activities such as cooking, food storage and gathering water, and for ceremonial use. Vessels of these types have been found at ancient sites including Chaco Canyon and Mesa Verde. The tradition of pottery-making continues to thrive among Pueblo communities in the Southwest, and while pottery is still made for practical purposes, it is also commonly produced for the art market. Since the time of the Ancestral Puebloans, pottery has been made predominantly by women. The pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but many symbols and motifs are shared by the Pueblos. Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest
among them potters and other artists, as well as writers, curators and community leaders
chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts. AUTHOR: Pueblo Pottery Collective is a collective of more than 60 Native American community members from 21 Pueblo communities in the Southwest. The collective includes potters, designers and other artists, as well as writers, poets, community leaders and museum professionals. A small number of non-Pueblo museum professionals were facilitators and writers for this project, and are also part of the collective. Elysia Poon is Director of the Indian Arts Research Center at the School for Advanced Research, Santa Fe, New Mexico. Rick Kinsel is Director of the Vilcek Foundation, New York.
175 illustrations, 1 map