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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This text presents the complicated story of how a poetic tradition evolved in a number of different languages over a period of twelvehundred years. It involves the history of Sufism, the tensions between mysticism and orthodoxy in Islamic thought and the problem of interpreting a poetic language which is both sensual and sacred. The first three chapters consider initially the development of mystical poetry in Arabic from the 9th century, including the work of Hallaj, and then move on to discuss Persian poetry in a similar manner, with particular focus on the work of Rumi. The diffusion of Arabic and Persian literary influence in the many other languages spoken in the vast area affected by Islam is the subject of the final two chapters, which cover firstly folk poetry and, subsequently, poetry in praise of the Prophet.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This text presents the complicated story of how a poetic tradition evolved in a number of different languages over a period of twelvehundred years. It involves the history of Sufism, the tensions between mysticism and orthodoxy in Islamic thought and the problem of interpreting a poetic language which is both sensual and sacred. The first three chapters consider initially the development of mystical poetry in Arabic from the 9th century, including the work of Hallaj, and then move on to discuss Persian poetry in a similar manner, with particular focus on the work of Rumi. The diffusion of Arabic and Persian literary influence in the many other languages spoken in the vast area affected by Islam is the subject of the final two chapters, which cover firstly folk poetry and, subsequently, poetry in praise of the Prophet.