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Shanon Shah investigates the connections between geography and identity; Jasper M. Trautsch explains the invention of the West; Nazry Bahrawi asks if the collapse of Western civilisation is imminent; Gordon Blaine Steffey explores what a post- Western world might look like; Natasha Ezrow analyses US imperialism in Latin America; Elma Berisha compares Europe with Southeast Asia; Jalal Afhim explores the emergence of China; Shiv Visvanathan problematises the rise of India; Julia Sveshnikova critiques Russia’s supposed comeback; Michael Perez is proud to be American, Muslim, male and feminist; Sughra Ahmed argues that young British Muslims carve their identities out of Britain’s tradition of dissent; Amir Hussain suggests that Islam is a Western religion after all; Julian Bond and Fatimah Ashrif celebrate Christian-Muslim friendship; and Samia Rahman relates the remarkable story of an Uzbek pianist in London. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.
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Shanon Shah investigates the connections between geography and identity; Jasper M. Trautsch explains the invention of the West; Nazry Bahrawi asks if the collapse of Western civilisation is imminent; Gordon Blaine Steffey explores what a post- Western world might look like; Natasha Ezrow analyses US imperialism in Latin America; Elma Berisha compares Europe with Southeast Asia; Jalal Afhim explores the emergence of China; Shiv Visvanathan problematises the rise of India; Julia Sveshnikova critiques Russia’s supposed comeback; Michael Perez is proud to be American, Muslim, male and feminist; Sughra Ahmed argues that young British Muslims carve their identities out of Britain’s tradition of dissent; Amir Hussain suggests that Islam is a Western religion after all; Julian Bond and Fatimah Ashrif celebrate Christian-Muslim friendship; and Samia Rahman relates the remarkable story of an Uzbek pianist in London. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.