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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Arvind Krishna Mehrotra's new book of poems, Book of Rahim, is his first collection of new poetry in twenty-five years. It contains extraordinary records of the everyday, as well as a frequent reimagining of history that makes it as commonplace as a relative or a piece of furniture, and all the more strange and unrepeatable because of that. These involve Mehrotra inhabiting the voice and time of an ageing Ghalib (author of a memorable diary reflecting on the events of the Sepoy Mutiny of 1857); his revisiting Abd al-Rahim Khan-i-Khanan (1556-1627), a Baharlu Turk, an important figure in the Mughal nobility during the reigns of Akbar and Jehangir; and his discovery of objects and letters from his family home in Lahore. The result is a frayed immediacy that hefty historical novels find difficult to achieve. (Amit Chaudhuri)
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Arvind Krishna Mehrotra's new book of poems, Book of Rahim, is his first collection of new poetry in twenty-five years. It contains extraordinary records of the everyday, as well as a frequent reimagining of history that makes it as commonplace as a relative or a piece of furniture, and all the more strange and unrepeatable because of that. These involve Mehrotra inhabiting the voice and time of an ageing Ghalib (author of a memorable diary reflecting on the events of the Sepoy Mutiny of 1857); his revisiting Abd al-Rahim Khan-i-Khanan (1556-1627), a Baharlu Turk, an important figure in the Mughal nobility during the reigns of Akbar and Jehangir; and his discovery of objects and letters from his family home in Lahore. The result is a frayed immediacy that hefty historical novels find difficult to achieve. (Amit Chaudhuri)