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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Molly Vogel’s first collection of poems, Florilegium is an exploration of life written in ‘the language of flowers’. The poems regard flowers as both symbols and means of communication; in a broader sense, they deem the natural world essential to our understanding of words, ourselves, and the divine. Like Coleridge’s rook in ‘This Lime-Tree Bower My Prison’, the flower is a sign that connects those disparately placed, both geographically and emotionally. Florilegium finds its blooms in Scotland as well as California; in free verse as well as stricter form; in books as well as dreams; on streets and at shrines as well as in wild gardens. Fittingly, the poems are varied and vividly colourful, inviting and surprising. They precede a long-form glossary, a meditation growing out from the poems’ words but also from the entire history of literature and thought around flowers. Though intertwined with the poems, the glossary is a collection in itself: in equal parts literary criticism, philosophical treatise, and prose poem.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Molly Vogel’s first collection of poems, Florilegium is an exploration of life written in ‘the language of flowers’. The poems regard flowers as both symbols and means of communication; in a broader sense, they deem the natural world essential to our understanding of words, ourselves, and the divine. Like Coleridge’s rook in ‘This Lime-Tree Bower My Prison’, the flower is a sign that connects those disparately placed, both geographically and emotionally. Florilegium finds its blooms in Scotland as well as California; in free verse as well as stricter form; in books as well as dreams; on streets and at shrines as well as in wild gardens. Fittingly, the poems are varied and vividly colourful, inviting and surprising. They precede a long-form glossary, a meditation growing out from the poems’ words but also from the entire history of literature and thought around flowers. Though intertwined with the poems, the glossary is a collection in itself: in equal parts literary criticism, philosophical treatise, and prose poem.