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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Paths of Survival explores the fragility of the written word; the ways in which it is destroyed and the ways in which, by each fresh miracle, it endures against all the odds. Tracing the few surviving fragments of Aeschylus’s lost tragedy, Myrmidons, which notoriously depicted the doomed love of the Greek hero Achilles for his fellow warrior Patroclus, the volume moves backwards in time across two and a half millennia; from a tiny scrap of papyrus in a present-day Oxford library to the dying Aeschylus revising his masterpiece in 5th-century BCE Sicily. Along the way, the poems’ dramatic monologues introduce clerks and conquerors, pagans and popes, tyrants and tricksters, as well as translators, anthologists, editors, librarians - and, of course, readers - as each one responds to the text, transforming and perverting it, sometimes intentionally, sometimes unwittingly, for better, for worse, but always with passion.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Paths of Survival explores the fragility of the written word; the ways in which it is destroyed and the ways in which, by each fresh miracle, it endures against all the odds. Tracing the few surviving fragments of Aeschylus’s lost tragedy, Myrmidons, which notoriously depicted the doomed love of the Greek hero Achilles for his fellow warrior Patroclus, the volume moves backwards in time across two and a half millennia; from a tiny scrap of papyrus in a present-day Oxford library to the dying Aeschylus revising his masterpiece in 5th-century BCE Sicily. Along the way, the poems’ dramatic monologues introduce clerks and conquerors, pagans and popes, tyrants and tricksters, as well as translators, anthologists, editors, librarians - and, of course, readers - as each one responds to the text, transforming and perverting it, sometimes intentionally, sometimes unwittingly, for better, for worse, but always with passion.