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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Ancestral Lines is a sequence of poems about ‘the river of desire’ that flows through the lives of a family. In these poems Jeremy Hooker recalls his parents and grandparents, and an elusive great grandfather. He both honours the mystery of personal identity, and celebrates the oneness of life through the ‘lines’ of generations. The sequence conveys a strong sense of places in the south of England, but in a special sense: it is grounded upon experience of ‘the places that live in people’, places that are a ‘medium of sharing’. A concern with both the gifts and limits of ‘seeing’ in the sequence takes its bearings from his father’s landscape paintings. […] The figures that appear in the poems are not ghosts; the poet evokes them as real, loved and loving people. According to his way of seeing, each integral being is only partially knowable, yet also flesh of his flesh.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Ancestral Lines is a sequence of poems about ‘the river of desire’ that flows through the lives of a family. In these poems Jeremy Hooker recalls his parents and grandparents, and an elusive great grandfather. He both honours the mystery of personal identity, and celebrates the oneness of life through the ‘lines’ of generations. The sequence conveys a strong sense of places in the south of England, but in a special sense: it is grounded upon experience of ‘the places that live in people’, places that are a ‘medium of sharing’. A concern with both the gifts and limits of ‘seeing’ in the sequence takes its bearings from his father’s landscape paintings. […] The figures that appear in the poems are not ghosts; the poet evokes them as real, loved and loving people. According to his way of seeing, each integral being is only partially knowable, yet also flesh of his flesh.