The Good Plain Cook
Bethan Roberts
The Good Plain Cook
Bethan Roberts
It’s summer 1936, and the world is on the cusp of change, but there’s little sign of this in rural Sussex. So when local girl Kitty Allen answers an advert looking for ‘a good plain cook’, she has no idea what she’s in for. For starters, her employer is an American called Ellen Steinberg who believes in calling the staff by their first names and sunbathing in the nude. Then there’s Ellen’s eleven-year-old daughter, Geenie, a bright, unhappy little thing, and Mrs Steinberg’s gentleman friend, Mr Crane, who’s said to be a poet - even though he doesn’t have a beard and doesn’t seem to write much poetry either. Rich bohemians imagining themselves as communists, Steinberg and Crane see themselves as champions of ‘the people’ - not that they know the first thing about how the people actually live. Kitty is in no place to criticise -after all she claimed to be a good plain cook, despite hardly knowing how to boil an egg. Utterly out of her depth, she is relieved to have the gardener, Arthur, to talk to. Otherwise she’d never last a summer in this madhouse. Ellen Steinberg wants life to run as smoothly as the love story she imagines her lover George Crane to be writing. But as Kitty arrives, the dream is on the edge of falling apart.
Review
Vicky Booth, Program Administrator of CAE Book Groups
It is 1936 and nineteen-year-old Kitty is searching for independence, so she answers an advertisement for a cook to work in ‘an artistic household’ in deepest Sussex. Her new employer is Ellen Steinberg, a doggedly bohemian and extremely rich American (based on Peggy Guggenheim), on the run from her demons and experimenting with rural living with her latest lover, the communist poet George Crane. Geenie, 11, is Ellen’s daughter. Her life is lived according to her mother’s whims. Desperate for attention, she sunbathes nude with Ellen and sledgehammers walls to drown out the sound of afternoon lovemaking. The gardener, Arthur, has observed this state of affairs for a while. He warns about the dangers of getting too close to ‘them’ and is deeply sceptical of George’s efforts to bond with the hired help. Over the course of one summer, however, Kitty finds herself inexorably connecting with this fragile household.
This is a thoroughly absorbing novel. Through her convincingly drawn characters (especially the bright, brittle Geenie), Bethan Roberts maps the treacherous territory of family ties, class divides, and the vulnerable human heart.
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