Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
In 2001 the Guinness Book of Records declared Liverpool ‘City of Pop’, the City that has produced more hit records than anywhere else. But why is Liverpool so important musically and how has it sustained its importance from the Beatles to the Zutons via Echo and the Bunnymen, Cream, The La’s and others?
The Beat Goes On is a critical historical account of popular music in Liverpool which explores the contextual, creative and geographical factors that have contributed to the city’s status as a major centre of creativity within Anglo-Amercian popular music. Rather than attempting to create a singular linear account of the history of popular music and its cultures within the city the book will take a thematic and case-study approach which will offer a new approach to the study of the subject. The book is therefore necessarily interdisciplinary with contributions from experts from the field of popular music history, cultural geography, ethnography and musicology, alongside essays and interviews with Liverpool musicians.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
In 2001 the Guinness Book of Records declared Liverpool ‘City of Pop’, the City that has produced more hit records than anywhere else. But why is Liverpool so important musically and how has it sustained its importance from the Beatles to the Zutons via Echo and the Bunnymen, Cream, The La’s and others?
The Beat Goes On is a critical historical account of popular music in Liverpool which explores the contextual, creative and geographical factors that have contributed to the city’s status as a major centre of creativity within Anglo-Amercian popular music. Rather than attempting to create a singular linear account of the history of popular music and its cultures within the city the book will take a thematic and case-study approach which will offer a new approach to the study of the subject. The book is therefore necessarily interdisciplinary with contributions from experts from the field of popular music history, cultural geography, ethnography and musicology, alongside essays and interviews with Liverpool musicians.