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Editorial
Finally: The rat has a voice - by Richard Lance Keeble
Short Story
Nineteen Eighty-Four: The rat's tale - by D.J. Taylor
Papers
Love, hate and freedom in Nineteen Eighty-Four - by Peter Brian Barry The picture of Winston Smith: George Orwell, Oscar Wilde and the fin de siecle legacy - by Henk Vynckier 'A sinking sensation': George Orwell and the RMS Titanic - by Nathan Waddell Modernism, realism and 'natural narrative': Contrasting 'A hanging' and 'Shooting an elephant' - by Cris Yelland Samuel Butler: The Victorian Orwell - by Hassan Akram Reading Orwell from the Global South - by Debora Reis Tavares Orwell's middle age anxiety - by Carrie Kancilia
Interview
L.J. Hurst in conversation with Masha Karp, author of the widely-acclaimed George Orwelland Russia
Articles
Captain Robinson: 'The Most Disreputable Englishman in Mandalay' - by Phil Baker 'A disillusioned little middle class boy': George Orwell, Harry Pollitt and The Road to Wigan Pier - by John Newsinger The two Arthurs - by Darcy Moore How I constructed the Newspeak language from Orwell's Nineteen Eighty-Four - by Brennan Conaway
Poems
'That bloody book', by John Scarborough; 'Elephant', 'George ponders dictatorship' and 'Shot but full', by Steve DalzellBook Reviews
Book reviews
Sarah E. Cornish on Julia, by Sandra Newman; Douglas Kerr on Burma Sahib, by Paul Theroux
And Finally
A special diary column for Orwellians - by New Pitcher
