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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Neil Campbell’s new collection of short stories draws upon the work of American painter Edward Hopper. Many of the stories are directly inspired by the visual stimuli of a painting, some combine the influence of several different works and some simply use the titles of paintings as starting points.
In his wide-ranging second full-length collection of fiction, Campbell writes stories about love, sex, death, art, adultery, the media, marriage, suburban violence, consumerism, childhood, suicide, loneliness, music, mountains, wildflowers, birds, football, alcoholism, prostitution, obsession, incarceration, sociopaths, and laughter.
Campbell brings to life a mythical America, packed with images of gas stations, hotel rooms, lighthouses, diners, boardwalks, boarding houses, cinemas, offices at night, railroads, freight trains and sunlight by the sea, written from the perspectives of both men and women, in locations as diverse as the American Midwest, New York, Los Angeles, Texas, New Jersey and San Francisco, as well as Brazil, Manchester, Middlesbrough, The Peak District and The Isle of Arran.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Neil Campbell’s new collection of short stories draws upon the work of American painter Edward Hopper. Many of the stories are directly inspired by the visual stimuli of a painting, some combine the influence of several different works and some simply use the titles of paintings as starting points.
In his wide-ranging second full-length collection of fiction, Campbell writes stories about love, sex, death, art, adultery, the media, marriage, suburban violence, consumerism, childhood, suicide, loneliness, music, mountains, wildflowers, birds, football, alcoholism, prostitution, obsession, incarceration, sociopaths, and laughter.
Campbell brings to life a mythical America, packed with images of gas stations, hotel rooms, lighthouses, diners, boardwalks, boarding houses, cinemas, offices at night, railroads, freight trains and sunlight by the sea, written from the perspectives of both men and women, in locations as diverse as the American Midwest, New York, Los Angeles, Texas, New Jersey and San Francisco, as well as Brazil, Manchester, Middlesbrough, The Peak District and The Isle of Arran.