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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
An interesting and unusual work on a little-explored field of study. By means of the iconographic evidence, the author aims to provide a counterbalance to the traditional studies of medieval welsh piety with their heavy emphasis on poetic material. There are interesting and suggestive divergences between the ideas communicated by literary evidence and those suggested by the surviving visual culture. In considering the importance of visual imagery as evidence for religious beliefs, the part played by imagery in the formation and reinforcement of a distinctive spirituality is not ignored. The work concentrates on surviving images from the ‘golden century’, but patterns of destruction and preservation are identified, including rare works lost through poverty and neglect.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
An interesting and unusual work on a little-explored field of study. By means of the iconographic evidence, the author aims to provide a counterbalance to the traditional studies of medieval welsh piety with their heavy emphasis on poetic material. There are interesting and suggestive divergences between the ideas communicated by literary evidence and those suggested by the surviving visual culture. In considering the importance of visual imagery as evidence for religious beliefs, the part played by imagery in the formation and reinforcement of a distinctive spirituality is not ignored. The work concentrates on surviving images from the ‘golden century’, but patterns of destruction and preservation are identified, including rare works lost through poverty and neglect.